ontrast their experience
opposes to the hopeful recklessness of such talk as this. "We may have a
worse winter here," she said, darkly.
"Then I couldn't stand it," said the girl, "and I should go in for
lighting out to Florida double-quick."
"And how would you get to Florida?" demanded her mother, severely.
"Oh, by the usual conveyance Pullman vestibuled train, I suppose. What
makes you so blue, mamma?" The girl was all the time sketching away,
rubbing out, lifting her head for the effect, and then bending it over
her work again without looking at her mother.
"I am not blue, Alma. But I cannot endure this--this hopefulness of
yours."
"Why? What harm does it do?"
"Harm?" echoed the mother.
Pending the effort she must make in saying, the girl cut in: "Yes, harm.
You've kept your despair dusted off and ready for use at an instant's
notice ever since we came, and what good has it done? I'm going to keep
on hoping to the bitter end. That's what papa did."
It was what the Rev. Archibald Leighton had done with all the
consumptive's buoyancy. The morning he died he told them that now he had
turned the point and was really going to get well. The cheerfulness was
not only in his disease, but in his temperament. Its excess was always
a little against him in his church work, and Mrs. Leighton was right
enough in feeling that if it had not been for the ballast of her
instinctive despondency he would have made shipwreck of such small
chances of prosperity as befell him in life. It was not from him that
his daughter got her talent, though he had left her his temperament
intact of his widow's legal thirds. He was one of those men of whom
the country people say when he is gone that the woman gets along better
without him. Mrs. Leighton had long eked out their income by taking a
summer boarder or two, as a great favor, into her family; and when the
greater need came, she frankly gave up her house to the summer-folks (as
they call them in the country), and managed it for their comfort from
the small quarter of it in which she shut herself up with her daughter.
The notion of shutting up is an exigency of the rounded period. The fact
is, of course, that Alma Leighton was not shut up in any sense whatever.
She was the pervading light, if not force, of the house. She was a good
cook, and she managed the kitchen with the help of an Irish girl, while
her mother looked after the rest of the housekeeping. But she was not
syste
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