FREE BOOKS

Author's List




PREV.   NEXT  
|<   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291  
292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   >>   >|  
ter of fact, he never did send it; but he happened to meet Mr. Wetmore and his wife at the restaurant where he dined, and he got it of the painter for himself. He did not ask him how Miss Leighton was getting on; but Wetmore launched out, with Alma for a tacit text, on the futility of women generally going in for art. "Even when they have talent they've got too much against them. Where a girl doesn't seem very strong, like Miss Leighton, no amount of chic is going to help." His wife disputed him on behalf of her sex, as women always do. "No, Dolly," he persisted; "she'd better be home milking the cows and leading the horse to water." "Do you think she'd better be up till two in the morning at balls and going all day to receptions and luncheons?" "Oh, guess it isn't a question of that, even if she weren't drawing. You knew them at home," he said to Beaton. "Yes." "I remember. Her mother said you suggested me. Well, the girl has some notion of it; there's no doubt about that. But--she's a woman. The trouble with these talented girls is that they're all woman. If they weren't, there wouldn't be much chance for the men, Beaton. But we've got Providence on our own side from the start. I'm able to watch all their inspirations with perfect composure. I know just how soon it's going to end in nervous breakdown. Somebody ought to marry them all and put them out of their misery." "And what will you do with your students who are married already?" his wife said. She felt that she had let him go on long enough. "Oh, they ought to get divorced." "You ought to be ashamed to take their money if that's what you think of them." "My dear, I have a wife to support." Beaton intervened with a question. "Do you mean that Miss Leighton isn't standing it very well?" "How do I know? She isn't the kind that bends; she's the kind that breaks." After a little silence Mrs. Wetmore asked, "Won't you come home with us, Mr. Beaton?" "Thank you; no. I have an engagement." "I don't see why that should prevent you," said Wetmore. "But you always were a punctilious cuss. Well!" Beaton lingered over his cigar; but no one else whom he knew came in, and he yielded to the threefold impulse of conscience, of curiosity, of inclination, in going to call at the Leightons'. He asked for the ladies, and the maid showed him into the parlor, where he found Mrs. Leighton and Miss Woodburn. The widow met him with a welcome neatly
PREV.   NEXT  
|<   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291  
292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   >>   >|  



Top keywords:

Beaton

 

Leighton

 

Wetmore

 

question

 
ashamed
 

composure

 

married

 

misery

 
students
 

Somebody


nervous
 
divorced
 

breakdown

 

impulse

 

threefold

 

conscience

 

curiosity

 

inclination

 

yielded

 

Leightons


Woodburn
 

neatly

 

parlor

 

ladies

 

showed

 

lingered

 
breaks
 
silence
 

support

 
intervened

standing

 

perfect

 
prevent
 

punctilious

 

engagement

 
mother
 
strong
 

amount

 

talent

 

persisted


milking

 

disputed

 

behalf

 
restaurant
 

painter

 
happened
 

futility

 

generally

 

launched

 
leading