el trifled with. Something of the
unfriendliness of fate seemed to overcast his resentment, and he allowed
the sadness of his conviction that he had not the means to marry on
to tinge his recognition of the fact that Alma Leighton would not have
wanted him to marry her if he had. He was now often in that martyr mood
in which he wished to help his father; not only to deny himself Chianti,
but to forego a fur-lined overcoat which he intended to get for the
winter, He postponed the moment of actual sacrifice as regarded the
Chianti, and he bought the overcoat in an anguish of self-reproach.
He wore it the first evening after he got it in going to call upon
the Leightons, and it seemed to him a piece of ghastly irony when Alma
complimented his picturesqueness in it and asked him to let her sketch
him.

"Oh, you can sketch me," he said, with so much gloom that it made her
laugh.

"If you think it's so serious, I'd rather not."

"No, no! Go ahead! How do you want me?"

"Oh, fling yourself down on a chair in one of your attitudes of studied
negligence; and twist one corner of your mustache with affected absence
of mind."

"And you think I'm always studied, always affected?"

"I didn't say so."

"I didn't ask you what you said."

"And I won't tell you what I think."

"Ah, I know what you think."

"What made you ask, then?" The girl laughed again with the satisfaction
of her sex in cornering a man.

Beaton made a show of not deigning to reply, and put himself in the pose
she suggested, frowning.

"Ah, that's it. But a little more animation--

"'As when a great thought strikes along the brain,
And flushes all the cheek.'"

She put her forehead down on the back of her hand and laughed again.
"You ought to be photographed. You look as if you were sitting for it."

Beaton said: "That's because I know I am being photographed, in one way.
I don't think you ought to call me affected. I never am so with you; I
know it wouldn't be of any use."

"Oh, Mr. Beaton, you flatter."

"No, I never flatter you."

"I meant you flattered yourself."

"How?"

"Oh, I don't know. Imagine."

"I know what you mean. You think I can't be sincere with anybody."

"Oh no, I don't."

"What do you think?"

"That you can't--try." Alma gave another victorious laugh.

Miss Woodburn and Fulkerson would once have both feigned a great
interest in Alma's sketching Beaton, and made it the subject of talk, in
which they approached