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s for one little moment, so that at last the reader's attention is in danger of being surfeited by a feast of good things. The fable is the direct opposite to that of the old story of Griselda. In the words of Milton we are shown how it befalls the man Who to worth in woman over-trusting, Lets her will rule: restraint she will not brook; And left to herself, if evil thence ensue, She first his weak indulgence will accuse. This the modern Griselda does to her husband's cost and her own. The story is a remarkable evidence of Miss Edgeworth's independence of genius. She showed no weak sympathy with the failings of her sex just because it was her sex, but, like a true friend, held them up to view and pointed them out for correction. Her objectiveness did not insure her, however, from misconstruction. Mrs. Barbauld wrote to her:-- I became very impatient for your _Griselda_ before Johnson thought proper to produce it; need I add we have read it with great pleasure? It is charming, like everything you write, but I can tell you the gentlemen like it better than the ladies, and if you were to be tried by a jury of your own sex I do not know what punishment you might be sentenced to for having betrayed their cause. "The author is one of your own sex; we men have nothing to do but to stand by and laugh," was the remark of a gentleman, no less candid a man than Dr. Aiken: and then the moral (a general moral if I understand it right) that a man must not indulge his wife too much! If I were a new-married woman I do not know whether I would forgive you till you had made the _amende honorable_ by writing something to expose the men. All, however, are unanimous in admiring the sprightliness of the dialogue and the ingenious and varied perverseness of the heroine. To this letter Miss Edgeworth replied:-- Let me assure you that the little tale was written in playfulness, not bitterness of heart. Not one of the female committee who sat upon it every day whilst it was writing and reading ever imagined that it should be thought a severe libel upon the sex, perhaps because their attention was fixed upon Mrs. Granby, who at least is as much a panegyric as Mrs. Bolingbroke is a satire upon the sex. _Popular Tales_ were issued, and also in great part written, before the two series of _Fashionable Tales_, an
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