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erusal left an impression which only genius leaves. Beckford really had invention, and an extraordinary narrative power. That such faculties, after having once revealed themselves, should contentedly have remained dormant ever afterwards, is one of the most curious facts in the history of the human mind, and it is the more curious that Beckford lived to a very advanced age. Beckford's case appears to have been one of those in which great wealth diminishes or wholly paralyzes the highest energy of the intellect, leaving the lower energies free to exert less noble kinds of activity. A refined self-indulgence became the habit of his life, and he developed simply into a dilettant. Even his love for the fine arts did not rise above the indulgence of an elegant and cultivated taste. Although he lived at the very time most favorable to the appearance of a great critic in architecture and painting, the time of a great architectural revival and of the growth of a vigorous and independent school of contemporary art, he exercised no influence beyond that of a wealthy virtuoso. His love of the beautiful began and ended in simple personal gratification; it led to no noble labor, to no elevating severity of discipline. Englishman though he was, he filled his Oriental tower with masterpieces from Italy and Holland, only to add form and color to the luxuries of his reverie, behind his gilded lattices. And when he raised that other tower at Fonthill, and the slaves of the lamp toiled at it by torchlight to gratify his Oriental impatience, he exercised no influence upon the confusion of his epoch more durable than that hundred yards of masonry which sank into a shapeless heap whilst as yet Azrael spared its author. He to whom Nature and Fortune had been so prodigal of their gifts, he whom Reynolds painted and Mozart instructed, who knew the poets of seven literatures, culling their jewels like flowers in seven enchanted gardens--he to whom the palaces of knowledge all opened their golden gates even in his earliest youth, to whom were also given riches and length of days, for whom a thousand craftsmen toiled in Europe and a thousand slaves beyond the sea,[4]--what has this gifted mortal left as the testimony of his power, as the trace of his fourscore years upon the earth? Only the reminiscence of a vague splendor, like the fast-fading recollection of a cloud that burned at sunset, and one small gem of intellectual creation that lives
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