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Cytherea"; but it appears on good evidence that what he really wrote was "Visit thou my Cythera." A false quantity in this same canto, "Nept[)u]nus," cannot be explained away.] [Footnote 21: Declared it in some very odd lines; for instance-- "Do gently murder half my soul, and I Shall feel the other half so utterly!"] [Footnote 22: See p. 52 as to Miss Brawne.] [Footnote 23: I presume the "three masterpieces" are "The Eve of St. Agnes," "Hyperion," and "Lamia"; this leaves out of count the short "Belle Dame sans Merci," and the unfinished "Eve of St. Mark," but certainly not because Dante Rossetti rated those lower than the three others.] [Footnote 24: There are some various readings in this poem (as here, "wretched wight"); I adopt the phrases which I prefer.] * * * * * TRANSCRIBER'S NOTE: Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings, and inconsistent hyphenation. Obvious typographical errors in punctuation have been fixed. Corrections [in brackets] in the text are noted below: page 110: typo fixed In Feburary[February] 1818 Keats, Leigh Hunt, and Shelley, undertook to write a sonnet each upon the river Nile. page 150: typo fixed which could not be made applicable or subservient to the purposes of poetry. Many will remember the ancedote[ancedote], proper to Haydon's "immortal dinner" page 201: typo fixed seems almost outside the region of criticism. Still, it is a palpaple[palpable] fact that this address, according to its place in In Footnote 20, [)u] indicates a u-breve. End of Project Gutenberg's Life of John Keats, by William Michael Rossetti *** END OF THIS PROJECT GUTENBERG EBOOK LIFE OF JOHN KEATS *** ***** This file should be named 31682.txt or 31682.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/6/8/31682/ Produced by Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth
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