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be kind enough to note at once that in page 182, at the first line of the text, the words "general truth" refer to the angle-measurements, not to the diagrams; which latter are given merely for reference, and might cause some embarrassment if the statement of measured accuracy were supposed to refer to them. One or two graver misapprehensions I had it in my mind to warn the reader against; but on the whole, as I have honestly tried to make the book intelligible, I believe it will be found intelligible by any one who thinks it worth a careful reading; and every day convinces me more and more that no warnings can preserve from misunderstanding those who have no desire to understand. Denmark Hill, March, 1856. FOOTNOTES [A] Persons unacquainted with hill scenery are apt to forget that the sky of the mountains is often close to the spectator. A black thundercloud may literally be dashing itself in his face, while the blue hills seen through its rents maybe thirty miles away. Generally speaking, we do not enough understand the nearness of many clouds, even in level countries, as compared with the land horizon. See also the close of Sec. 12 in Chap. III of this volume. TABLE OF CONTENTS. PART V. OF MOUNTAIN BEAUTY. PAGE CHAPTER I.--Of the Turnerian Picturesque. 1 " II.--Of Turnerian Topography. 16 " III.--Of Turnerian Light. 34 " IV.--Of Turnerian Mystery: First, as Essential. 56 " V.--Of Turnerian Mystery: Secondly, Wilful. 68 " VI.--The Firmament. 82 " VII.--The Dry Land. 89 " VIII.--Of the Materials of Mountains: First, Compact Crystallines. 99 " IX.--Of the Materials of Mountains: Secondly, Slaty Crystallines. 113 " X.--Of the Materials of Mountains: Thirdly, Slaty Coherents. 122 " XI.--Of the Materials of Mountains: Fourthly, Compact Coherents. 127 " XII.--Of the Sculpture of Mountains: First,
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