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e facts themselves, seen in their natural relations to others. And the aim of the great inventive landscape painter must be to give the far higher and deeper truth of mental vision, rather than that of the physical facts, and to reach a representation which, though it may be totally useless to engineers or geographers, and, when tried by rule and measure, totally unlike the place, shall yet be capable of producing on the far-away beholder's mind precisely the impression which the reality would have produced, and putting his heart into the same state in which it would have been, had he verily descended into the valley from the gorges of Airolo. Sec. 12. Now observe; if in his attempt to do this the artist does not understand the sacredness of the truth of _Impression_, and supposes that, once quitting hold of his first thought, he may by Philosophy compose something prettier than he saw, and mightier than he felt, it is all over with him. Every such attempt at composition will be utterly abortive, and end in something that is neither true nor fanciful; something geographically useless, and intellectually absurd. But if, holding fast his first thought, he finds other ideas insensibly gathering to it, and, whether he will or not, modifying it into something which is not so much the image of the place itself, as the spirit of the place, let him yield to such fancies, and follow them wherever they lead. For, though error on this side is very rare among us in these days, it _is_ possible to check these finer thoughts by mathematical accuracies, so as materially to impair the imaginative faculty. I shall be able to explain this better after we have traced the actual operation of Turner's mind on the scene under discussion. Sec. 13. Turner was always from his youth fond of stones (we shall see presently why). Whether large or small, loose or embedded, hewn into cubes or worn into boulders, he loved them as much as William Hunt loves pineapples and plums. So that this great litter of fallen stones, which to any one else would have been simply disagreeable, was to Turner much the same as if the whole valley had been filled with plums and pineapples, and delighted him exceedingly, much more than even the gorge of Dazio Grande just above. But that gorge had its effect upon him also, and was still not well out of his head when the diligence stopped at the bottom of the hill, just at that turn of the road on the right of the bri
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