Jennings
has also traced the origin of the symbols of Heraldry, the emblems of
Royalty and of some church orders with similar explanations.
We may add that the crux ansata of the Egyptians, the oval standing upon
the upright, or letter Tau, may be shown to be a sex symbol, the union
of the oval with the upright being of symbolic significance. The crux
ansata is found in the hand of most of the Egyptian deities. It is found
in the Assyrian temples and throughout the temples of India as well.
Prehistoric monuments of Ireland have the same design. Priests are
portrayed in adoration of the crux ansata before phallic monuments. This
symbol, from which our modern cross is doubtless derived, originated
with the religions of antiquity. Much additional evidence could readily
be given to illustrate this prehistoric origin. The present Christian
symbol affords another example of the adoption by a new religion of the
symbols of the old.
Some reflection will show that the origin of many church customs and
symbols, and indeed of a great number of obscure customs and usages, may
quite properly be traced to the religions and practices of primitive
races. Lafcadio Hearn has insisted upon this in the interpretation of
the art and customs of the Japanese. He says,[12] "Art in Japan is so
intimately associated with religion that any attempt to study it without
extensive knowledge of the beliefs which it reflects were mere waste of
time. By art I do not mean painting and sculpture but every kind of
decoration, and most kinds of pictorial representation--the image of a
boy's kite or a girl's battledore not less than the design upon a
lacquered casquet or enameled vase,--the figure upon a work-man's trowel
not less than the pattern of the girdle of a princess,--the shape of the
paper doll or wooden rattle bought for a baby, not less than the forms
of those colossal Ni-O, who guard the gateways of the Buddha's
temples," etc.
In the above pages, we have given an account of the views of a number of
writers upon certain forms and symbols, and at the same time we have
offered considerable evidence in substantiation from independent
sources. These origins, found associated especially in art and religious
usages, have not been generally understood. Yet when we reflect upon the
fact that many religious customs are of great antiquity; that when once
a certain form or custom becomes established, it is well nigh
ineffaceable, although subject to g
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