mportance, are usually eliminated. It has not been thought necessary to
use profuse illustrations, as the book is intended primarily for use
when visiting the original works.

CONTENTS

PART I

CHAPTER I PAGE
VENICE AND HER ART 3

CHAPTER II
PRIMITIVE ART IN VENICE 11

CHAPTER III
INFLUENCES OF UMBRIA AND VERONA 21

CHAPTER IV
THE SCHOOL OF MURANO 29

CHAPTER V
THE PADUAN INFLUENCE 33

CHAPTER VI
JACOPO BELLINI 39

CHAPTER VII
CARLO CRIVELLI 44

CHAPTER VIII
GENTILE BELLINI AND
ANTONELLO DA MESSINA 48

CHAPTER IX
ALVISE VIVARINI 58

CHAPTER X
CARPACCIO 68

CHAPTER XI
GIOVANNI BELLINI 81

CHAPTER XII
GIOVANNI BELLINI (_continued_) 92

CHAPTER XIII
CIMA DA CONEGLIANO AND OTHER
FOLLOWERS OF BELLINI 103

PART II

CHAPTER XIV
GIORGIONE 121

CHAPTER XV
GIORGIONE (_continued_) 132

CHAPTER XVI
THE GIORGIONESQUE 140

CHAPTER XVII
TITIAN 144

CHAPTER XVIII
TITIAN (_continued_) 157

CHAPTER XIX
TITIAN (_continued_) 173

CHAPTER XX
PALMA VECCHIO AND LORENZO LOTTO 184

CHAPTER XXI
SEBASTIAN DEL PIOMBO 198

CHAPTER XXII
BONIFAZIO AND PARIS BORDONE 203

CHAPTER XXIII
PAINTERS OF THE VENETIAN PROVINCES 212

CHAPTER XXIV
PAOLO VERONESE 228

CHAPTER XXV
TINTORETTO 243

CHAPTER XXVI
TINTORETTO (_continued_) 254

CHAPTER XXVII
BASSANO 269

PART III

CHAPTER XXVIII
THE INTERIM 281

CHAPTER XXIX
TIEPOLO 297

CHAPTER XXX
PIETRO LONGHI 309

CHAPTER XXXI
CANALE 314

CHAPTER XXXII
FRANCESCO GUARDI 321

BIBLIOGRAPHY 329

INDEX 333

ILLUSTRATIONS

BY AT

1. Madonna with S. Liberale Giorgione Castelfranco
a