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o go on with the desecration of her beautiful hands in dish-water, and the ruin of her complexion over the kitchen-stove. The clothes that he had planned to buy for her, the jewels, the splendid car--the cohort of servants he had planned for her--the social prestige! And instead of that, he was nothing but a fragment of commercial driftwood, and he couldn't afford, now, to buy her so much as a new hat, without a corresponding sacrifice. And yet--involuntarily, he stiffened--and yet he'd be hanged if he went back and acted like a whipped pup. No, he was supposed to be a man, and his friends and Anna believed in him, an he'd be hanged if he went back and confessed anything at all, admitted anything. It was all well enough to look facts in the face, but it was better still to keep on fighting until the gong rang. And when he was fighting against the cant purity and goodness of Mr. Mix, and the cold astigmatism of Aunt Mirabelle, he'd be hanged if he quit in the first round. No, even if Henry himself knew that he was beaten, nobody else was going to know it, and Anna least of all. At five o'clock, he came blithely into his living-room: and as he saw Anna's expression, his own changed suddenly. He had thought to find her in tears; but she was coming to him with her usual welcome, her usual smile. Henry didn't quite understand himself, but he was just the least bit offended, regardless of his relief. You simply couldn't tell from one minute to the next what a woman was going to do. By all precedent, Anna should have been enjoying hysterics, which Henry had come prepared to treat. "Well," he said, "you'd better cancel that order for golden pheasants, old dear." She stopped short, and stared at him curiously, as though the remark had come from a stranger. "We've got lamb chops tonight," said Anna, with whimsical relevance, "and fresh strawberry ice-cream. And pheasants are awfully indigestible, anyway." Henry returned her stare. "What have you been doing all the afternoon--reading Marcus Aurelius?" "No, I haven't been reading anything at all. I tidied up the kitchen. What happened to _you_?" There were two different ways of presenting the narrative, and Henry chose the second. He made it a travesty: and all the time that he was talking, Anna continued to gaze at him in that same curious, thoughtful fashion, as if she were noting, for the first time, a subtle variation in his character. "And--aren't you eve
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