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ix miles off, but ere they had gone two April knew the painter as well as if they had been twin sisters. Clive Connal hadn't a secret or a shilling she would not share with the whole world. She used the vocabulary of a horse-dealer and the slang of a schoolboy, but her mind was as fragrant as a field that the Lord hath blessed, and her heart was the heart of a child. It was shameful to deceive such a creature, and April's nature revolted from the act. Before they reached the farm she had confessed her identity--explaining how the change had come about, and why it was important to go on with the deception. Too much explanation was not necessary with a person of Clive's wide understanding. No vagaries of behaviour seemed to shock or astonish her large human soul. She merely, during the relation of Diana's tragedy, muttered once or twice to herself: "The poor thing! Oh! the poor thing!" and looked at April as though she too were "a poor thing," instead of a fraud and an adventuress to be abjured and cast out. For the first time since her mother's death the girl felt herself sheltering in the warmth of womanly sympathy, and the comfort of it was very sweet. "Don't worry too much," said Clive cheerfully. "_Tout s'arrange_: that's my motto. Everything comes straight if you leave it alone." A cheerful motto indeed, and one seeming to fit well with the picture of the old farmhouse lying in the morning sunshine. Low-roofed and white-walled, it was tucked under the shelter of the Qua-Qua mountains, with apricot orchards stretching away on either side. Six immense oaks spread their untrimmed branches above the high stoep, and before the house, where patches of yellow-green grass grew ragged as a vagabond's hair, a Kerry cow was pegged out and half a dozen black babies disported themselves amongst the acorns. Dozens of old paraffin tins stained with rust, and sawed-off barrels bulging asunder lined the edge of the stoep, all filled with geraniums, begonias, cacti, red lilies, and feathery bamboos. Every plant had a flower, and every flower was a brilliant, vital thing. Other decorations were a chopping-block, an oak chest, blistered and curled by the sun, several wooden beds with the bedding rolled up on them, and two women, who smiled a welcome. These were Ghostie, and _belle_ Helene--the only names April ever knew them by. "Welcome to the home for derelicts, broken china, and old crocks," they said. "Yo
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