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nstant, struck fiercely with a swinging, downward blow. A hissing metallic report, a low moan and the sound of a falling body--then silence. A moment later the hall door burst open for a second time, and in the flood of electric light that poured in, Julian Paul Goetze saw a gray, veiled figure, stretched upon the floor, the gloved hand clasping a jeweled hilt, the blade of which was buried in her bosom. A stream of crimson was discoloring the fabric of her dress, and spreading in a dark pool on the rich carpet. Rushing forward he caught up the prostrate form and tore away the veil. Then, as if by magic, a revelation swept over him in one mighty wave of horror. _The strange, piteous look he had once seen on the face of Evelin March was again before him, and while he gazed he saw it melting--melting, almost insensibly, like the blending outlines of a dissolving view--into the saintly loveliness of Eva Delorme._ The mists of doubt, the shadows of suspicion, and the fever of curiosity that had troubled him during those feverish months, were suddenly swept away. Eva Delorme--Evelin March--one and the same. One body, one soul, one heart; by some strange freak of nature--some wild mental vagary or devilish witchery of which he could not know--made two in life, but only one in death. Above her was a heavy French-plate mirror, in an ornamented frame, cracked entirely across. From its polished surface the self-aimed, glancing dagger had found its way to the one troubled heart of those two strange lives, and brought to it silence and restfulness forever. End of the Project Gutenberg EBook of The Mystery of Evelin Delorme, by Albert Bigelow Paine *** END OF THIS PROJECT GUTENBERG EBOOK THE MYSTERY OF EVELIN DELORME *** ***** This file should be named 33814.txt or 33814.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/8/1/33814/ Produced by Annie McGuire. This book was produced from scanned images of public domain material from the Internet Archive. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of U
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