ad not learned much
English, and were not so ambitious as Tony or Lena; but they were kind,
simple girls and they were always happy. When one danced with them, one
smelled their clean, freshly ironed clothes that had been put away with
rosemary leaves from Mr. Jensen's garden.

There were never girls enough to go round at those dances, but every one
wanted a turn with Tony and Lena. Lena moved without exertion, rather
indolently, and her hand often accented the rhythm softly on her partner's
shoulder. She smiled if one spoke to her, but seldom answered. The music
seemed to put her into a soft, waking dream, and her violet-colored eyes
looked sleepily and confidingly at one from under her long lashes. When
she sighed she exhaled a heavy perfume of sachet powder. To dance "Home,
Sweet Home," with Lena was like coming in with the tide. She danced every
dance like a waltz, and it was always the same waltz--the waltz of coming
home to something, of inevitable, fated return. After a while one got
restless under it, as one does under the heat of a soft, sultry summer
day.

When you spun out into the floor with Tony, you did n't return to
anything. You set out every time upon a new adventure. I liked to
schottische with her; she had so much spring and variety, and was always
putting in new steps and slides. She taught me to dance against and around
the hard-and-fast beat of the music. If, instead of going to the end of
the railroad, old Mr. Shimerda had stayed in New York and picked up a
living with his fiddle, how different Antonia's life might have been!

Antonia often went to the dances with Larry Donovan, a passenger conductor
who was a kind of professional ladies' man, as we said. I remember how
admiringly all the boys looked at her the night she first wore her
velveteen dress, made like Mrs. Gardener's black velvet. She was lovely to
see, with her eyes shining, and her lips always a little parted when she
danced. That constant, dark color in her cheeks never changed.

One evening when Donovan was out on his run, Antonia came to the hall with
Norwegian Anna and her young man, and that night I took her home. When we
were in the Cutter's yard, sheltered by the evergreens, I told her she
must kiss me good-night.

"Why, sure, Jim." A moment later she drew her face away and whispered
indignantly, "Why, Jim! You know you ain't right to kiss me like that.
I'll tell your grandmother on you!"

"Lena Lingard lets me kiss her,"