ion and guidance
from without. Mr. Darwin's explanation of the case does not touch this
difficulty.

[Footnote 1: This species was instanced because the lectures which form
the basis of the book were originally delivered at Simla, in the N.W.
Himalaya, where, at certain seasons, the plant is a common wayside weed.
Mr. Darwin notices a similar and, if possible, more curious structure in
a species of _Catasetum_.]

[Footnote 2: See this fully explained by Mivart, "Genesis of Species,"
pp. 29, 30 (2nd edition).]

(3) The third point, the occurrence of so much _beauty_ in organic life,
is perhaps one of the most conclusive arguments for design in nature.

Here, if possible, more clearly than elsewhere, I see a total failure of
"natural causes." We are told that the beauty of birds (for instance) is
easily accounted for by the fact, that the ornamented and beautiful
males are preferred by the other sex; and that this is an advantage, so
the beauty has been perpetuated; and the same with butterflies and
beetles.

We are told also that bright-coloured fruits attract birds, who eat the
soft parts of the fruit and swallow the hard stone or seed which is thus
prepared for germination, and carried about and dispersed over the
earth's surface. Again, showy coloured flowers attract insects, which
carry away pollen and fertilize other flowers.

All this is perfectly true; but it entirely fails to go far enough to
meet the difficulty.

Now passing over such difficulties as the fact that bright colours in
flowers _do not_ attract insects in many cases, but much more
inconspicuous flowers if they have a scent (mignonette, for example)
_do_; passing over such a fact as that afforded by the violet, which (as
some may not be aware) has two kinds of flower, one scented and of a
beautiful colour, the other green and inconspicuous, and it is the
_latter, not the former_ which is usually fertile;--passing over all
detailed difficulties of this kind, I allude only to the one great one,
that in all these cases, besides mere bright colour, conspicuousness or
showiness, there is a great and wonderful beauty of pattern, design, or
colour arrangement, in nature. Now there is not a particle of evidence
to show that any animal has, to the smallest extent, a _sense of
beauty_. On the contrary it is most improbable. The sense of artistic
beauty is not only peculiar to man, but only exists in him when
civilized and cultivated. Uneducated peopl