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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Vol. XX. No. 557., Saturday, July 14, 1832 Author: Various Release Date: June 11, 2004 [EBook #12583] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 557 *** Produced by Jonathan Ingram, Allen Siddle and PG Distributed Proofreaders THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL. XX. No. 557.] SATURDAY, JULY 14, 1832. [Price 2d. * * * * * [Illustration: BIRTHPLACE OF BEWICK, THE ENGRAVER.] The above cottage stands in the village of Cherryburn, near Ovingham, on the banks of the Tyne, about twelve miles west of Newcastle. In this humble dwelling, hitherto of "unlettered fame," was born, August 12, 1753, THOMAS BEWICK, the celebrated artist and engraver on wood; or more strictly speaking, the reviver of this branch of art. His whole life was one of untiring industry and ardent attachment to the object of his study--the only sure passport to success--which it is truly delightful to contemplate: from the first dawnings of his early genius to the enthusiasm that led him to examine proofs of wood-engravings on the morning of his death. His life is exemplary, inasmuch as it illustrates the homely maxim, that every man is the architect of his own fortune. Apart from this consideration, the memory of Bewick should be cherished by all our readers; since he re-invented the ingenious means by which we are enabled to embellish unsparingly each of our weekly sheets.[1] Of Bewick's genius, and personal habits, many interesting particulars have been preserved. From his earliest years he delighted, above all things, in observing the habits of animals; and it was his fondness for this study that gave rise, while he was yet a boy, to his first attempts in drawing. Long before he had received instruction in that art, he used to delineate his favourites of the lower creation with great accuracy and spirit. His introduction to the regular study of his future profession w
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