rom sudden
pain. A wave of malice crossed his face.

"It's a pity we are relatives, with France so near," he said, "for I see
you love fighting." After an instant he added, with a carelessness as
much assumed as natural: "You may ring the bell, and tell Falby to come
to my room. And because I am to appear at the flare-up to-night--all in
honour of the prodigal's son--this matter is between us, and we meet as
loving relatives. You understand my motives, Gaston Robert Belward?"

"Thoroughly."

Gaston rang the bell, and went to open the door for his uncle to pass
out. Ian Belward buttoned his close-fitting coat, cast a glance in the
mirror, and then eyed Gaston's fine figure and well-cut clothes. In the
presence of his nephew, there grew the envy of a man who knew that youth
was passing while every hot instinct and passion remained. For his age
he was impossibly young. Well past fifty he looked thirty-five, no
more. His luxurious soul loathed the approach of age. Unlike many men
of indulgent natures, he loved youth for the sake of his art, and he
had sacrificed upon that altar more than most men-sacrificed others. His
cruelty was not as that of the roughs of Seven Dials or Belleville, but
it was pitiless. He admitted to those who asked him why and wherefore
when his selfishness became brutality, that everything had to give way
for his work. His painting of Ariadne represented the misery of two
women's lives. And of such was his kingdom of Art.

As he now looked at Gaston he was again struck with the resemblance to
the portrait in the dining-room, with his foreign out-of-the-way air:
something that should be seen beneath the flowing wigs of the Stuart
period. He had long wanted to do a statue of the ill-fated Monmouth, and
another greater than that. Here was the very man: with a proud, daring,
homeless look, a splendid body, and a kind of cavalier conceit. It was
significant of him, of his attitude towards himself where his work was
concerned, that he suddenly turned and shut the door again, telling
Falby, who appeared, to go to his room; and then said:

"You are my debtor, Cadet--I shall call you that: you shall have a
chance of paying."

"How?"

In a few concise words he explained, scanning the other's face eagerly.

Gaston showed nothing. He had passed the apogee of irritation.

"A model?" he questioned drily.

"Well, if you put it that way. 'Portrait' sounds better. It shall be
Gaston Belward, gentleman; but