presently began to
talk with the children in an easy, quiet voice. He asked them little
out-of-the-way questions, he lifted the school-room from their minds,
and then he told them a story, showing them on the map where the place
was, giving them distances, the kind of climate, and a dozen other
matters of information, without the nature of a lesson. Then he taught
them the chorus--the Board forbade it afterwards--of a negro song,
which told how those who behaved themselves well in this world should
ultimately:

"Blow on, blow on, blow on dat silver horn!"

It was on this day that, as he left the school, he saw Ian Belward
driving past. He had not met his uncle since his arrival,--the artist
had been in Morocco,--nor had he heard of him save through a note in a
newspaper which said that he was giving no powerful work to the world,
nor, indeed, had done so for several years; and that he preferred the
purlieus of Montparnasse to Holland Park.

They recognised each other. Ian looked his nephew up and down with a
cool kind of insolence as he passed, but did not make any salutation.
Gaston went straight to the castle. He asked for his uncle, and was told
that he had gone to Lady Belward. He wandered to the library: it was
empty. He lit a cigar, took down a copy of Matthew Arnold's poems,
opening at "Sohrab and Rustum," read it with a quick-beating heart, and
then came to "Tristram and Iseult." He knew little of "that Arthur" and
his knights of the Round Table, and Iseult of Brittany was a new figure
of romance to him. In Tennyson, he had got no further than "Locksley
Hall," which, he said, had a right tune and wrong words; and "Maud,"
which "was big in pathos." The story and the metre of "Tristram and
Iseult" beat in his veins. He got to his feet, and, standing before the
window, repeated a verse aloud:

"Cheer, cheer thy dogs into the brake,
O hunter! and without a fear
Thy golden-tassell'd bugle blow,
And through the glades thy pasture take
For thou wilt rouse no sleepers here!
For these thou seest are unmoved;
Cold, cold as those who lived and loved
A thousand years ago."

He was so engrossed that he did not hear the door open. He again
repeated the lines with the affectionate modulation of a musician. He
knew that they were right. They were hot with life--a life that was no
more a part of this peaceful landscape than a palm-tree would be. He
felt tha