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om the other. His expression was one of rage and shame; hers was one of shame and disgust. Casanova knew how she saw him, for he saw himself figured in imagination, just as he had seen himself yesterday in the bedroom mirror. A yellow, evil face, deeply lined, with thin lips and staring eyes--a face three times worse than that of yesterday, because of the excesses of the night, the ghastly dream of the morning, and the terrible awakening. And what he read in Marcolina's countenance was not what he would a thousand times rather have read there; it was not thief, libertine, villain. He read only something which crushed him to earth more ignominiously than could any terms of abuse; he read the word which to him was the most dreadful of all words, since it passed a final judgment upon him--old man. Had it been within his power to annihilate himself by a spell, he would have done so, that he might be spared from having to creep out of the bed and display himself to Marcolina in his nakedness, which must appear to her more loathsome than the sight of some loathsome beast. But Marcolina, as if gradually collecting herself, and manifestly in order to give him the opportunity which was indispensable, turned her face to the wall. He seized the moment to get out of bed, to raise the cloak from the floor, and to wrap himself in it. He was quick, too, to make sure of his sword. Now, when he conceived himself to have at least escaped the worst contumely of all, that of ludicrousness, he began to wonder whether it would not be possible to throw another light upon this affair in which he cut so pitiful a figure. He was an adept in the use of language. Could he not somehow or other, by a few well-chosen words, give matters a favorable turn? From the nature of the circumstances, it was evidently impossible for Marcolina to doubt that Lorenzi had sold her to Casanova. Yet however intensely she might hate her wretched lover at that moment, Casanova felt that he himself, the cowardly thief, must seem a thousand times more hateful. Perhaps another course offered better promise of satisfaction. He might degrade Marcolina by mockery and lascivious phrases, full of innuendo. But this spiteful idea could not be sustained in face of the aspect she had now assumed. Her expression of horror had gradually been transformed into one of infinite sadness, as if it had been not Marcolina's womanhood alone which had been desecrated by Casanova, bu
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