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in one volume all the poems which he had written, most of which had previously appeared in magazines. A few months later an edition appeared in London with an introduction by Irving. It was this volume which gave Bryant an English reputation as great as that he enjoyed in America. Like Cooper, he revealed an unfamiliar nature as seen in American forests, hills, and streams, taking his readers with him into those solitary and quiet places where dwelt the wild birds and wild flowers. The very titles of his poems show how closely he lived to the life of the world around him. _The Walk at Sunset_, _The West Wind_, _The Forest Hymn_, _Autumn Woods_, _The Death of the Flowers_, _The Fringed Gentian_, _The Wind and Stream_, _The Little People of the Snow_, and many others disclose how Bryant gathered from every source the beauty which he translated into his verses. Among the poems which touch upon the Indian traditions are _The Indian Girl's Lament_, _Monument Mountain_, and _An Indian at the Burial-place of his Father_. In these he lingers upon the pathetic fate of the red man driven from the home of his race and forced into exile by the usurping whites. They are full of sadness, seeming to wake once again the memories of other times when the forest was alive with the night-fires of savage man and the days brought only the gladness of freedom. Besides his original work Bryant performed a noble task in the translation of the _Iliad_ and _Odyssey_ of Homer. He was over seventy when he began this work, and was five years in completing it. The poems are put into blank verse, of which Bryant was a master, and they have caught the very spirit of the old Greek bard; so faithfully did the modern poet understand that shadowy past that he might have watched with Helen the burning of Troy, or journeyed with Ulysses throughout his wanderings in the perilous seas. The light of Bryant's imagination burned steadily to the end. In his eighty-second year he wrote his last important poem, _The Flood of Years_. It is a beautiful confession of faith in the nobility of life and the immortality of the soul, and a fitting crown for an existence so beneficent and exalted. His last public work was to participate in unveiling a monument to the Italian statesman Mazzini in Central Park, when he was the orator of the day. On the same evening he was seized with his last illness. He died on June 12, 1878, and was buried at Roslyn, Long Island, o
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