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hrough the door. I couldn't see it, of course, but I knew it had arrived when the grapples in the claws latched onto the steel plates on my shoulders. I had got turned around after the eye-burning and my flying beast hooked onto me backward. I had meant to sail out bravely, blind eyes facing into the sunset; instead, I faced the crowd as I soared away, so I made the most of a bad situation and threw them a snappy military salute. Then I was out in the fresh air and away. When I lifted the plate and poked holes in the seared plastic, I could see the pyramid growing smaller behind me, water gushing out of the base and a happy crowd of reptiles sporting in its radioactive rush. I counted off on my talons to see if I had forgotten anything. One: The beacon was repaired. Two: The door was sealed, so there should be no more sabotage, accidental or deliberate. Three: The priests should be satisfied. The water was running again, my eyes had been duly burned out, and they were back in business. Which added up to-- Four: The fact that they would probably let another repairman in, under the same conditions, if the beacon conked out again. At least I had done nothing, like butchering a few of them, that would make them antagonistic toward future ancestral messengers. I stripped off my tattered lizard suit back in the ship, very glad that it would be some other repairman who'd get the job. --HARRY HARRISON Transcriber's Note: This etext was produced from _Galaxy_ February 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. End of the Project Gutenberg EBook of The Repairman, by Harry Harrison *** END OF THIS PROJECT GUTENBERG EBOOK THE REPAIRMAN *** ***** This file should be named 22073.txt or 22073.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/0/7/22073/ Produced by Greg Weeks, Susan Carr and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this lice
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