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en by Jouglet; but many modifications have been tried in the laboratory of the Sydney University by Mr. Pollock, starting from the imperfect note in the Central Zeitung, which led to no real success. It was found that it is perfectly easy to obtain brilliant films of platinum by the following process, provided that the presence of a few pin-holes does not matter. The platinum salt employed is what is bought under the name of platinic chloride; it is, however, probably a mixture of this salt and hydro-chloro-platinic acid, and has all the appearance of having been obtained by evaporating a solution of platinum in aqua regia to dryness on the water bath. A solution of this salt in distilled water is prepared; the strength does not seem to matter very much, but perhaps one of salt to ninety-nine water may be regarded as a standard proportion. To this solution is added a few drops of ordinary gum water (i.e. a solution of dextrin). The exact quantity does not matter, but perhaps about 2 per cent may be mentioned as giving good results. The glass is painted over with this solution and dried slowly on the water bath. When the glass is dry, and covered with a uniform hard film of gum and platinum salt free from bubble holes, it is heated to redness in a muffle furnace. The necessary and sufficient temperature is reached as soon as the glass is just sensibly red-hot. The mirrors obtained in this way are very brilliant on the free platinum surface. If the gum be omitted, the platinum will have a mat surface; and if too much gum be used, the platinum will get spotty by bubbles bursting. There does not appear to be any advantage in using lead. It is quite essential that the film be dry and hard before the glass is fired. End of the Project Gutenberg EBook of On Laboratory Arts, by Richard Threlfall *** END OF THIS PROJECT GUTENBERG EBOOK ON LABORATORY ARTS *** ***** This file should be named 22784.txt or 22784.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/7/8/22784/ Produced by Jon Richfield Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright roya
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