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in, the admirable English husband made his wife the gratified mother of two beautiful offspring." Parenthood, however, would appear to have had an odd effect upon this couple, for, continues de Mirecourt: "_Mais, en depit de ces gages d'amour, leur bonheur est trouble par des querelles intestines._" It was from Spain that, having adjusted their differences temporarily, the couple went back to Paris. As a peace offering, a rising young artist, Claudius Jacquand, was commissioned to paint both their portraits on a single canvas. During, however, another domestic rupture, Heald demanded that Lola's features should be painted out. "I want nothing," he said, "to remind me of that woman." Unfortunately, Lola had just made a similar demand where the Cornet was concerned. Jacquand was a man of talent, but he could not do impossibilities. Thereupon, Lola, breathing fire and fury, took the canvas away and hung it with its back to the front in her bedroom. "To allow my husband to watch me always would," she said, "be indelicate!" There is a theory that, within the next twelve months, the ill-assorted union was dissolved by Heald getting upset in a rowing-boat and drowned in Lisbon harbour. The theory, however, is a little difficult to reconcile with the fact that, on the close of the Great Exhibition at the end of 1851, he attended an auction of the effects, where he bought a parquet floor and had it laid down in his drawing-room at Berrymead Priory. After this he had a number of structural alterations added; fitted the windows with some stained glass, bearing his crest and initials; and, finally, did not give up the lease until 1855. Pretty good work, this, for a man said to have met with a watery grave six years earlier. As a matter of strict fact, Cornet Heald was not drowned, either at Lisbon or anywhere else. He died in his bed at Folkestone, in 1856. The medical certificate attributed the cause of death to consumption. In the _Gentleman's Magazine_, however, the diagnosis was different, viz., "broken heart." All things pass. In 1859 the executors of the dashing Cornet sold the Berrymead property for L7000, to be repurchased soon afterwards for L23,000 by a land-development company. The house now serves as the premises of the Priory Constitutional Club, Acton. A certain amount of evidence of Cornet Heald's one-time occupancy still exists. Thus his crest and motto, _Nemo sibi Nascitur_, are let into the mosaic floorin
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