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reat storm, and no one knew what became of her, though some years after, news came from the Rancho Laguna de la Merced, on the San Francisco side, that an old woman, answering to the description of the witch, had suddenly appeared there, and was living alone in a hut in one of the innumerable gullies, destitute and shunned by all. Catalina and the good women of the place never gave up the idea that the Evil One carried her off in the great storm, which left its lasting mark on the face of Mount Tamalpais. * * * * * A year passed, and Ysidria, under the care of the good Pedirpozzo, completely recovered her health, and one happy day in Easter Week we were wedded by Padre Andreas, at San Rafael, and we went to live at the rancho, with Catalina still as housekeeper, all of us feeling like people saved from a wreck and hoping never to suffer such sorrow again. By the next Easter there was great rejoicing at the rancho, and from all the country came my friends with their households to the christening of our son. The day was spent in games and feasting, and in the evening Henrico, or Quito, as we called him, was brought out to be toasted. There were many pretty speeches made, and Catalina carried them all to the happy mother. After all the guests had gone, Pedirpozzo led me aside and in his gentle way, so full of sympathy, he told me what his experienced eye had noted when little Quito was held before the company in the candle-light--he told me what you already know from the first of my story--Quito was hopelessly blind. Yet we have lived to be all happy and to bless God, and my dear wife so mercifully spared to me, clasps my hand in love and sympathy, when I think, but do not say aloud, "Our Quito has the beautiful eyes of Ysidria." ***END OF THE PROJECT GUTENBERG EBOOK THE BEAUTIFUL EYES OF YSIDRIA*** ******* This file should be named 18660.txt or 18660.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/8/6/6/18660 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use par
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