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se. But once he had spread his wings--flown high in the upper air. There had been strength in his pinions--joy in his heart--thrilling life in every feather of him. Some lovely lines drifted through Archibald's consciousness-- "Upon the brimming water, among the stones Are nine and fifty swans. Unwearied still, lover by lover, They paddle in the cold Companionable streams or climb the air; Their hearts have not grown old; Passion and conquest, wander where they will. Attend upon them still----" From the frozen north the swan had come to the sheltered bay and some one had shot him. He had not been asked if he wanted to live; they had taken his life, and had set him up there on the shelf--and that had been the end of him. But was it the end? Stuffed and quiet in his glass case, he had looked down on a little boy. And the little boy had seen him not dead, but sounding his trumpet. And now the whole world would hear of him. In Randy's story, the Trumpeter would live again in the hearts of men. The wind was rising--the fog blown back before it showed the golden track of the sea--light stretching to infinity! He rose and stood by the rail. Then suddenly he felt a hand upon his, and looking down, he saw Becky. "I ran away from Randy," she said, breathlessly, "just for a moment. I was afraid you might be alone, and unhappy." His hand held hers. "Just for this moment you are mine?" "Yes." "Then let me tell you this--that I shall never be alone as long as I may have your friendship--I shall always be happy because I have--loved you." He kissed her hand. "Run back to your Randy. Good-night, my dear, good-night." Her lover received her rapturously at the door of the little house. They went in together. And Archibald looked out, smiling, over a golden sea. ***END OF THE PROJECT GUTENBERG EBOOK THE TRUMPETER SWAN*** ******* This file should be named 18219.txt or 18219.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/8/2/1/18219 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the
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