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as the old viking ways bade them. But I who knew him almost from the first have seen how he hated these deeds, staying the hands of his chiefs as soon as he knew what his power was. Therein wrought Emma the queen, whose pride taught him what his place was, sooner than might else have been. Now I will say one last word of myself, who am happy--in wife, and children, and home. Cnut made me ealdorman, that so I might serve East Anglia, and I am glad, for I must needs go to the great witan at times and meet Godwine and Relf and many others who are my friends. But, rather than Redwald the ealdorman, I would that I might be called ever by the name which comes into the songs of Ottar the scald now and then--the name in which I have most pride, King Olaf's kinsman. THE END. Notes. 1 the armed followers of a Saxon noble. 2 The national weapon. A short, strong, curved blade used as a dirk. 3 The massacre of the Danes on St. Brice's day, 1002 A.D., in which Swein's sister was killed. 4 Now Peterborough. 5 From the Heimskringla, Saga of Olaf the Saint. 6 Tribute. 7 An embodied familiar spirit. 8 According to Bede, in A.D. 418 the Romans collected and hid all the treasure in England, except some part which they took to Gaul. OElla took Anderida in 491 A.D. 9 The cold spring. 10 Mail shirt. 11 Daughter of Alfred the Great, and wife of Ethelred, Earl of Mercia. 12 The utmost term of Saxon contempt. 13 Now Canewdon. 14 The "Five Boroughs" of the old Danelagh were Leicester, Lincoln, Nottingham, Stamford, and Derby. 15 The work of the great Dunstan, and the first code that recognized the rights of Danish settlers. 16 This prophecy of Olaf's is recorded in the "Saga of Olaf the Saint". End of the Project Gutenberg EBook of King Olaf's Kinsman, by Charles Whistler *** END OF THIS PROJECT GUTENBERG EBOOK KING OLAF'S KINSMAN *** ***** This file should be named 16196.txt or 16196.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/1/9/16196/ Produced by Martin Robb Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright ro
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