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The Project Gutenberg EBook of The Brochure Series of Architectural Illustration, Vol. 1, No. 10, October 1895., by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Brochure Series of Architectural Illustration, Vol. 1, No. 10, October 1895. French Farmhouses. Author: Various Release Date: February 9, 2005 [EBook #14987] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ARCHITECTURAL ILLUSTRATION *** Produced by Juliet Sutherland, Alison Hadwin and the PG Online Distributed Proofreading Team. [Illustration: LXXIII. Ferme de Turpe, Normandy.] THE BROCHURE SERIES OF ARCHITECTURAL ILLUSTRATION. VOL. I. OCTOBER, 1895. No. 10 FRENCH FARMHOUSES. As it is the purpose of THE BROCHURE SERIES to cover as wide a field as possible in choice of subject matter for its illustrations, and at the same time hold rigidly to the idea of furnishing only what will be useful to its subscribers, it has seemed desirable to present something a little nearer our everyday life than the Italian work which has thus far formed the greater part of the plate matter. The domestic architecture of France and England has naturally served as a model for a great deal of our American work, and especially is this noticeable during the present generation in the close relation between the French chateaux and the more pretentious American residences, as witness the recent productions of the late Mr. Hunt, which have just been published since his death. We are, to be sure, looking in all directions for suggestions, and it cannot help appearing wonderful to a thoughtful observer how many and varied these suggestions are. Our wealthy citizens are building chateaux in the style of Francis I or of somebody else, Venetian or Florentine palaces, Roman villas, Flemish guild-halls, Elizabethan half-timber houses. All, if tastefully and skilfully designed and placed, have their special points of beauty and excellence, and all may in the hands of an architect of ability be made to harmonize with our modern ways of living and the surroundings in which they must take a part. None of these models, however, are more adaptable to our ways than
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