FREE BOOKS

Author's List




PREV.   NEXT  
|<   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256  
257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   >>   >|  
ing any real work to do, or if they have it, not doing it, permit a greater freedom to their thoughts and impulses than those of their sex who sit at the loom of duty. Tennyson withdrew from this society, and his women are those of a retired poet--a few real types tenderly and sincerely drawn, and a few more worked out by thinking about what he imagined they would be, not by knowing them. Browning, roving through his class and other classes of society, and observing while he seemed unobservant, drew into his inner self the lives of a number of women, saw them living and feeling in a great diversity of circumstances; and, always on the watch, seized the moment into which he thought the woman entered with the greatest intensity, and smote that into a poem. Such poems, naturally lyrics, came into his head at the opera, at a ball, at a supper after the theatre, while he talked at dinner, when he walked in the park; and they record, not the whole of a woman's character, but the vision of one part of her nature which flashed before him and vanished in an instant. Among these poems are _A Light Woman_, _A Pretty Woman_, _Solomon and Balkis_, _Gold Hair_, and, as a fine instance of this sheet-lightning poem about women--_Adam, Lilith and Eve. Too Late_ and _The Worst of It_ do not belong to these slighter poems; they are on a much higher level. But they are poems of society and its secret lives. The men are foremost in them, but in each of them a different woman is sketched, through the love of the men, with a masterly decision. Among all these women he did not hesitate to paint the types farthest removed from goodness and love. The lowest woman in the poems is she who is described in _Time's Revenges_-- So is my spirit, as flesh with sin, Filled full, eaten out and in With the face of her, the eyes of her, The lips, the little chin, the stir Of shadow round her mouth; and she --I'll tell you--calmly would decree That I should roast at a slow fire, If that would compass her desire And make her one whom they invite To the famous ball to-morrow night Contrasted with this woman, from whose brutal nature civilisation has stripped away the honour and passion of the savage, the woman of _In a Laboratory_ shines like a fallen angel. She at least is natural, and though the passions she feels are the worst, yet she is capable of feeling strongly. Neither have any conscience, but we can co
PREV.   NEXT  
|<   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256  
257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   >>   >|  



Top keywords:
society
 

feeling

 

nature

 

secret

 

higher

 

Filled

 

foremost

 

goodness

 

decision

 
lowest

masterly

 

removed

 

hesitate

 

farthest

 

sketched

 

spirit

 

Revenges

 
shines
 
fallen
 
Laboratory

stripped

 

honour

 

passion

 

savage

 

natural

 

conscience

 

Neither

 

strongly

 
capable
 

passions


civilisation
 
decree
 

calmly

 
compass
 
morrow
 
Contrasted
 

brutal

 

famous

 
desire
 
invite

shadow
 

classes

 

observing

 
roving
 
Browning
 

imagined

 

knowing

 

unobservant

 

diversity

 

circumstances