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ou know him. What a wonderful man! The only really cosmopolitan artist in England, I say, now Beardsley's dead. I've got a Siegfried drawing by Beardsley. He was a great friend of mine. I adored him." "This is a fine thing," said George, touching a bronze of a young girl on the same table as the books. "You think so?" Miss Wheeler responded uncertainly. "I suppose it _is_. It's a Gilbert. He gave it me. But do you really think it compares with this Barye? It doesn't, does it?" She directed him to another bronze of a crouching cheetah. So she moved him about. He was dazed. His modest supply of adjectives proved inadequate. When she paused, he murmured: "It's a great room you've managed to get here." "Ah!" she cried thinly. "But you've no idea of the trouble I've had over this room. Do you know it's really two rooms. I had to take two flats in order to fix this room." She was launched on a supreme topic, and George heard a full history. She would not have a house. She would have a flat. She instructed house-agents to find for her the best flat in London. There was no best flat in London. London landlords did not understand flats, which were comprehended only in Paris. The least imperfect flats in London were two on a floor, and as their drawing-rooms happened to be contiguous on their longer sides, she had the idea of leasing two intolerable flats so as to obtain one flat that was tolerable. She had had terrible difficulties about the central heating. No flats in London were centrally heated except in the corridors and on the staircases. However, she had imposed her will on the landlord, and radiators had appeared in every room. George had a vision of excessive wealth subjugating the greatest artists and riding with implacable egotism over the customs and institutions of a city obstinately conservative. The cost and the complexity of Irene Wheeler's existence amazed and intimidated George--for this double flat was only one of her residences. He wondered what his parents would say if they could see him casually treading the oak parquetry and the heavy rugs of the resplendent abode. And then he thought, the humble and suspicious upstart: "There must be something funny about her, or she wouldn't be asking _me_ here!" They went in to dinner, without ceremony. George was last, the hostess close to his side. "Who's the Frenchman?" he inquired casually, with the sudden boldness that often breaks out of timidity
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