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And the line-back beef and several other poker steers went along. The wintered herd of beeves were grazed across to Fort Peck in little less than three months. On reaching the agency, the cattle were in fine condition and ready to issue to the Indian wards of our Christian nation. In the very first allotment from this herd the line-back beef was cut off with thirty others. It was fitting that he should die in his prime. As the thirty head were let out of the agency corral, a great shouting arose among the braves who were to make the kill. A murderous fire from a hundred repeaters was poured into the running cattle. Several fell to their knees, then rose and struggled on. The scene was worthy of savages. As the cattle scattered several Indians singled out the line-back poker steer. One specially well-mounted brave ran his pony along beside him and pumped the contents of his carbine into the beef's side. With the blood frothing from his nostrils, the line-back turned and catching the horse with his horn disemboweled him. The Indian had thrown himself on the side of his mount to avoid the sudden thrust, and, as the pony fell, he was pinned under him. With admirable tenacity of life the pilot-wheel steer staggered back and made several efforts to gore the dying horse and helpless rider, but with a dozen shots through his vitals, he sank down and expired. A destiny, over which he had no seeming control, willed that he should yield to the grim reaper nearly three thousand miles from his birthplace on the sunny Nueces. Abner Taylor, witnessing the incident, rode over to a companion and inquired: "Did you notice my line-back poker steer play his last trump? From the bottom of my heart I wish he had killed the Indian instead of the pony." End of the Project Gutenberg EBook of Cattle Brands, by Andy Adams *** END OF THIS PROJECT GUTENBERG EBOOK CATTLE BRANDS *** ***** This file should be named 12281.txt or 12281.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/2/8/12281/ Produced by Leah Moser and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission a
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