hat border on intolerance are those in which he deals with
the free-thinker; but it should not be forgotten that the commonest type
of free-thinker in Queen Anne's time was not a thoughtful man who
battled openly with doubt and made an independent search for truth, but
an idler who repudiated thought and formed his character upon tradition
of the Court of Charles the Second. And throughout the 'Spectator' we
may find a Christian under-tone in Addison's intolerance of infidelity,
which is entirely wanting when the moralist is Eustace Budgell. Two or
three persons in the comedy of the 'Drummer' give opportunity for good
character-painting in the actor, and on a healthy stage, before an
audience able to discriminate light touches of humour and to enjoy
unstrained although well-marked expression of varieties of character,
the 'Drummer' would not fail to be a welcome entertainment.

But our sketch now stands at the year 1705, when Steele had ceased for a
time to write comedies. Addison's 'Campaign' had brought him fame, and
perhaps helped him to pay, as he now did, his College debts, with
interest. His 'Remarks on Italy', now published, were, as Tickell says,
'at first but indifferently relished by the bulk of readers;' and his
'Drummer' probably was written and locked in his desk. There were now
such days of intercourse as Steele looked back to when with undying
friendship he wrote in the preface to that edition of the 'Drummer'
produced by him after Addison's death:

'He was above all men in that talent we call humour, and enjoyed it in
such perfection, that I have often reflected, after a night spent with
him apart from all the world, that I had had the pleasure of
conversing with an intimate acquaintance of Terence and Catullus, who
had all their wit and nature, heightened with humour more exquisite
and delightful than any other man ever possessed.' And again in the
same Preface, Steele dwelt upon 'that smiling mirth, that delicate
satire and genteel raillery, which appeared in Mr. Addison when he was
free from that remarkable bashfulness which is a cloak that hides and
muffles merit; and his abilities were covered only by modesty, which
doubles the beauties which are seen, and gives credit and esteem to
all that are concealed.'

Addison had the self-consciousness of a sensitive and speculative mind.
This, with a shy manner among those with whom he was not intimate,
passed for cold self-assertio