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used the door to him. "Tell me," I said, when we were alone. "You must have been on your way here when you heard the fatal news?" "On the contrary, I was at Sullacro. Have you for-forgotten what I told you about the apparitions in my family?" "Has your brother appeared to you?" I cried. "Yes. He told me he had been killed in a duel by M. de Chateau-Renard. I saw my brother in his room the day he was killed," Lucien went on, "and that night in a dream I saw the place where the duel was fought, and heard the name of M. de Chateau-Renard. And I have come to Paris to kill the man who killed my brother. My brother had never touched a pistol in his life, and it was as easy to kill him as to kill a tame stag. My mother knows why I have come. She is a true Corsican, and she kissed me on the forehead and said 'Go!'" The next morning Lucien wrote to Giordano and sent a challenge to Chateau-Renard. Then he went with me to Vincennes, and, though he had never been there in his life before, Lucien walked straight to the spot where his brother had fallen. He turned round, walked twenty paces, and said, "This is where the villain stood, and to-morrow he will lie here." Lucien predicted with absolute confidence the death of Chateau-Renard. The challenge was accepted, the same seconds acted, and on the morrow we assembled in the fatal glade. Chateau-Renard was obviously uneasy. The signal was given, both men fired, and, sure enough, Chateau-Renard fell, shot through the temple as Lucien had foretold. Then, for the first time since Louis' death, Lucien burst into tears. He dropped his pistol and threw himself into my arms. "My brother, my dear brother!" he cried. * * * * * The Count of Monte Cristo "The Count of Monte Cristo" appeared in 1844, when Dumas had been writing plays and stories for twenty years, and at a period when he was most extraordinarily prolific. In that year, assisted by his staff of compilers and transcribers, he is said to have turned out something like forty volumes! "Monte Cristo" first gave Dumas' novels a world-wide audience. Its unflagging spirit, the endless surprises, and the air of reality which was cast over the most extravagant situations made the work worthy of the popularity it enjoyed in almost every country in the world. The island from which it takes its name is a barren rock rising 2,000
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