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, but it also seems inevitable. I wish that some use could be devised for them, for these old books make at all events a very dignified and pleasant background, and the fragrance of well-warmed old leather is a delicate thing. But they are not even good places for working in, now that one has one's own books and one's own reading-chair. Moreover, if they were kept up to date, which would in itself be an expensive thing, there would come in the eternal difficulty of where to put the old books, which no one would have the heart to destroy. Perhaps the best thing for a library like this would be not to attempt to buy books, but to subscribe like a club to a circulating library, and to let a certain number of new volumes flow through the place and lie upon the tables for a time. But, on the other hand, here in the University there seems to be little time for general reading; and indeed it is a great problem, as life goes on, as duties grow more defined, and as one becomes more and more conscious of the shortness of life, what the duty of a cultivated and open-minded man is with regard to general reading. I am inclined to think that as one grows older one may read less; it is impossible to keep up with the vast output of literature, and it is hard enough to find time to follow even the one or two branches in which one is specially interested. Almost the only books which, I think, it is a duty to read, are the lives of great contemporaries; one gets thus to have an idea of what is going on in the world, and to realize it from different points of view. New fiction, new poetry, new travels are very hard to peruse diligently. The effort, I confess, of beginning a new novel, of making acquaintance with an unfamiliar scene, of getting the individualities of a fresh group of people into one's head, is becoming every year harder for me; but there are still one or two authors of fiction for whom I have a predilection, and whose works I look out for. New poetry demands an even greater effort; and as to travels, they are written so much in the journalistic style, and, consist so much of the meals our traveller obtains at wayside stations, of conversations with obviously reticent and even unintelligent persons; they have so many photogravures of places that are exactly like other places, and of complacent people in grotesque costumes, like supers in a play, that one feels the whole thing to be hopelessly superficial and unreal. Imagine
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