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s, while Sir Charles Tupper's "Recollections of Sixty Years" (1914) and John Castell Hopkins's "Life and Work of Sir John Thompson" (1895) give a Conservative version of the period. Sir Joseph Pope's "The Day of Sir John Macdonald" ("Chronicles of Canada", 1915), and O. D. Skelton's "The Day of Sir Wilfrid Laurier" ("Chronicles of Canada", 1916) between them cover the whole period briefly. L. J. Burpee's "Sandford Fleming" (1915) is one of the few biographies dealing with industrial as distinct from political leaders. Imperial relations may be studied in G. R. Parkin's "Imperial Federation, the Problem of National Unity" (1892) and in L. Curtis's "The Problem of the Commonwealth" (1916), which advocate imperial federation, and in R. Jebb's "The Britannic Question; a Survey of Alternatives" (1913), J. S. Ewart's "The Kingdom Papers" (1912-), and A. B. Keith's "Imperial Unity and the Dominions" (1916), which criticize that solution from different standpoints. The "Reports" of the Imperial Conferences of 1887, 1894, 1897, 1902, 1907, 1911, 1917, are of much value. Relations with the United States are discussed judiciously in W. A. Dunning's "The British Empire and the United States" (1914). Phases of Canada's recent development other than political are covered best in the volumes of "Canada and its Provinces", a History of the Canadian people and their institutions, edited by A. Shortt and A. G. Doughty. A useful guide to recent books dealing with Canadian history will be found in the annual "Review of Historical Publications Relating to Canada", published by the University of Toronto (1896 to date). End of Project Gutenberg's The Canadian Dominion, by Oscar D. Skelton *** END OF THIS PROJECT GUTENBERG EBOOK THE CANADIAN DOMINION *** ***** This file should be named 2835.txt or 2835.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/3/2835/ Produced by The James J. Kelly Library Of St. Gregory's University; Alev Akman, Dianne Bean, and Joe Buersmeyer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part
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