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tion and charm of manner, his humour, and his unfailing sympathy and encouragement, made one feel toward him as to a familiar friend, yet, of his actual life I saw but little, and have few reminiscences to contribute. One can only speak of that singular geniality of his, that temper of goodness and natural tolerance and affection, which, as Scotsmen best know, is not universal among the Scots. Our race does not need to pray, like the mechanic in the story, that Providence will give us "a good conceit of ourselves." But we must acknowledge that the Scotch temper is critical if not captious, argumentative, inclined to look at the seamy side of men and of their performances, and to dwell on imperfections rather than on merits and virtues. An example of these blemishes of the Scotch disposition, carried to an extreme degree in the nature of a man of genius, is offered to the world in the writings and "Reminiscences" of Mr. Carlyle. Now, Dr. John Brown was at the opposite pole of feeling. He had no mawkish toleration of things and people intolerable, but he preferred not to turn his mind that way. His thoughts were with the good, the wise, the modest, the learned, the brave of times past, and he was eager to catch a reflection of their qualities in the characters of the living, of all with whom he came into contact. He was, for example, almost optimistic in his estimate of the work of young people in art or literature. From everything that was beautiful or good, from a summer day by the Tweed, or from the eyes of a child, or from the humorous saying of a friend, or from treasured memories of old Scotch worthies, from recollections of his own childhood, from experience of the stoical heroism of the poor, he seemed to extract matter for pleasant thoughts of men and the world, and nourishment for his own great and gentle nature. I have never known any man to whom other men seemed so dear--men dead, and men living. He gave his genius to knowing them, and to making them better known, and his unselfishness thus became not only a great personal virtue, but a great literary charm. When you met him, he had some "good story" or some story of goodness to tell--for both came alike to him, and his humour was as unfailing as his kindness. There was in his face a singular charm, blended, as it were, of the expressions of mirth and of patience. Being most sensitive to pain, as well as to pleasure, he was an exception to that rul
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