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t peck you. That's what I'll do, John." He was breathing heavily now. "Do you get me, John? Would you like a live chicken?" "Yeff." The crunching resumed for a minute then stopped. Neff remembered, there had been only a dozen or so grains of wheat left. John would still be hungry. The thought of a chicken should do it. If not, he could threaten him. Neff waited. Relax! There was all night to work this out. Finally, he felt something at his ankles. "That's the boy, John. Up here and down my arms. They're behind me. Get the rope off my hands first. Come on boy." It was John, all right. Neff could feel the little claws coming up his left leg. "Come on, hurry up, John. Tell you what. I'll bring you a nice, fat female, just like yourself. A live one. You can live in the cage togeth----John, don't stop there!" The claws had paused near his knee and were clinging to the blood-soaked cloth. "No, no, John! Don't! I'll stick you with the fork. I'll stick you--I'll kill you! John, we got to get out of here or we'll both die. Die, do you hear! We'll suffocate! Don't do that. Stop. Stop or I'll--" Neff's threats beat hard into the rat's brain, and now as the slanting incisors tore at the cloth and chewed the luscious, blood-smothered, hot meat, Neff's screams sent tremors through the skinny, voracious body, and the tail tucked down. The words made John nervous, but it was dark. And there was food, such wonderful food, so much food! They were harsh words, terrible, screaming words: but words are words and food is food, and after all-- John was only a rat. THE END * * * * * End of the Project Gutenberg EBook of Brown John's Body, by Winston Marks *** END OF THIS PROJECT GUTENBERG EBOOK BROWN JOHN'S BODY *** ***** This file should be named 32076.txt or 32076.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/0/7/32076/ Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth
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