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no more worth than an old song. But as Wordsworth says, "Pleasures newly found are sweet, Though they lie about our feet;" and if stately people would but stoop and look about their paths, which, do not always run along the heights, they would often make discoveries of what concerned them more than speculations among the stars. It is not to be thought, however, that the Northamptonshire Peasant does not often treat earnestly of the common pleasures and pains, the cares and occupations, of that condition of life in which he was born, and has passed all his days. He knows them well, and has illustrated them well, though seldomer in his later than in his earlier poems; and we cannot help thinking that he might greatly extend his popularity, which in England is considerable, by devoting his Rural Muse to subjects lying within his ken, and of everlasting interest. Bloomfield's reputation rests on his "Farmer's Boy"--on some exquisite passages in "News from the Farm"--and on some of the tales and pictures in his "May-day with the Muses." His smaller poems are very inferior to those of Clare--but the Northamptonshire Peasant has written nothing in which all honest English hearts must delight, at all comparable with those truly rural compositions of the Suffolk shoemaker. It is in his power to do so--would he but earnestly set himself to the work. He must be more familiar with all the ongoings of rural life than his compeer could have been; nor need he fear to tread again the same ground, for it is as new as if it had never been touched, and will continue to be so till the end of time. The soil in which the native virtues of the English character grow, is unexhausted and inexhaustible; let him break it up on any spot he chooses, and poetry will spring to light like clover from lime. Nor need he fear being an imitator. His mind is an original one, his most indifferent verses prove it; for though he must have read much poetry since his earlier day--doubtless all our best modern poetry--he retains his own style, which, though it be not marked by any very strong characteristics, is yet sufficiently peculiar to show that it belongs to himself, and is a natural gift. Pastorals--eclogues--and idyls--in a hundred forms--remain to be written by such poets as he and his brethren; and there can be no doubt at all that, if he will scheme something of the kind, and begin upon it, without waiting to know fully or clearly what h
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