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ng was occupied by a still older one down to 1552, and to this the hall, which is vaulted and supported on four slender pillars of granite, belongs architecturally. It was very quaintly decorated with pictures, statues, reliefs, &&, both of Christian and Pagan traditions.] [Footnote 3: A broad street crossing Dantzic in an east-to-west direction.] [Footnote 4: In Scandinavian mythology, Fafnir, the worm, became the owner of the treasure which his father, Hreidmar, had exacted as blood-money from Loki, because he had slain Hreidmar's son Otur, the sea-otter. This treasure Loki had taken by violence from its rightful owner, a dwarf, who in revenge prophesied that the possession of the treasure should henceforward be fraught with dire mischief to every successive owner of it.] [Footnote 5: A hill to the north-west of Dantzic, affording a splendid view of the Gulf of Dantzic.] [Footnote 6: A long narrow spit of land projecting from the coast at a point north of Dantzic in a south-south-east direction into the Gulf of Dantzic.] [Footnote 7: August 4th.] [Footnote 8: The name in the text is _Felizitas_--Felicity; Felicia has been adopted in the translation as being the nearest approach to it. Felicity would in all probability be extremely strange to English ears, besides being liable to lead to ambiguities.] [Footnote 9: A mode of aerial conveyance made use of on occasion by the personage named, in the popular Faust legend.] [Footnote 10: In Germany the betrothal is a more significant act than in England, and by some regarded as more sacred and binding than the actual marriage ceremony.] [Footnote 11: A suburb of Dantzic, on the N. W., 3-1/2 miles nearer than Carlsberg; it is connected with the city by a double avenue of fine limes.] END OF VOLUME I. End of Project Gutenberg's Weird Tales. Vol. I, by E. T. A. Hoffmann *** END OF THIS PROJECT GUTENBERG EBOOK WEIRD TALES. VOL. I *** ***** This file should be named 31377.txt or 31377.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/3/7/31377/ Produced by Charles Bowen, from scans obtained from The Internet Archive. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so t
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