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f wood, and is eminently picturesque. The tone of the rooms is sombre, and the furniture is antique and solid. Nearly everything remains as it was in the poet's childhood; although the study has been removed from the second floor to two connected rooms on the first, spacious and impressive, and lined with well-selected books. The poet has lived in this house throughout his entire life,--a thing which seldom happens to an American citizen. In the hall are ancestral portraits, a stately Dutch clock, and the portraits of Mr. and Mrs. Lowell taken by Page in their youth. The grounds about Elmwood have been kept as nearly as possible in a state of nature. They are ample, and filled with magnificent trees. The elms of Cambridge are among the most beautiful to be found anywhere, and on this estate, though not very numerous, there are fine specimens. In front of the house are splendid ash-trees, and a thick hedge of trees surrounds the whole enclosure. This hedge bristles with pines, droops with willows, and is overtopped by gigantic horse-chestnuts. Near the house are pines, elms, lilacs, syringas; and at the back, apple and pear trees. Huge masses of striped grass light up the thick turf here and there; and all over the grounds the birds, unmolested from time immemorial, build and sing in perfect freedom and content. Long ago Longfellow sang of the herons of Elmwood, and they are still to be found in the wooded slopes behind the house, where the Lowell children played in their happy childhood. Mr. Lowell entered Harvard College in his sixteenth year, and, though never what was called a brilliant student, was graduated in due time, and entered upon the study of law. He passed through the usual course and took his degree of LL. B., but he was not noted for his love of study in the law school, more than in college. He was noted for his love of reading in both places, but it was of books outside the established course. His literary bent was strongly marked from the first, and his poetic talent developed itself at an early day. When only twenty-two years of age he published his first volume of poems, much like the youthful poems of other bards, and far inferior to the work of Bryant at the same age. Three years later he put forth a volume of verses much more worthy of his genius, some of them being favorites still,--like the "Shepherd of King Admetus," "The Forlorn," "The Heritage," which achieved the immortality of the school-bo
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