by a
curiously mistaken type of face, divided so as to give too much to the
mouth and eyes and leave too little for forehead, the eyes being set
about two thirds up, instead of at half the height of the head. But his
manner of work is always right; and his tragic power, though rarely
developed, and warped by habits of caricature, is, in reality, as great
as his grotesque power.

There is no fear of his hurting your taste, as long as your principal
work lies among art of so totally different a character as most of that
which I Have recommended to you; and you may, therefore, get great good
by copying almost anything of his that may come in your way; except only
his illustrations, lately published, to "Cinderella," and "Jack and the
Bean-stalk," and "Tom Thumb," which are much overlabored, and confused
in line. You should get them, but do not copy them.

4. Alfred Rethel.

I only know two publications by him; one, the "Dance of Death," with
text by Reinick, published in Leipsic, but to be had now of any London
bookseller for the sum, I believe, of eighteen pence, and containing six
plates full of instructive character; the other, of two plates only,
"Death the Avenger," and "Death the Friend." These two are far superior
to the "Todtentanz," and, if you can get them, will be enough in
themselves to show all that Rethel can teach you. If you dislike ghastly
subjects, get "Death the Friend" only.

5. Bewick.

The execution of the plumage in Bewick's birds is the most masterly
thing ever yet done in wood-cutting; it is worked just as Paul Veronese
would have worked in wood, had he taken to it. His vignettes, though too
coarse in execution, and vulgar in types of form, to be good copies,
show, nevertheless, intellectual power of the highest order; and there
are pieces of sentiment in them, either pathetic or satirical, which
have never since been equaled in illustrations of this simple kind; the
bitter intensity of the feeling being just like that which characterizes
some of the leading Pre-Raphaelites. Bewick is the Burns of painting.

6. Blake.

The "Book of Job," engraved by himself, is of the highest rank in
certain characters of imagination and expression; in the mode of
obtaining certain effects of light it will also be a very useful example
to you. In expressing conditions of glaring and flickering light, Blake
is greater than Rembrandt.

7. Richter.

I have already told you what to guard aga