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The next efforts put forth to reform these renegades was by means of fiction, romance, and poetry. Some writers, in their praiseworthy endeavours to make up a medicine to improve the condition of the Gipsies, have neutralised its effects by adding too much honey and spice to it. Others, who have mistaken the emaciated condition of the Gipsy, have been dosing him with cordials entirely, to such a degree, that he--Romany _chal_--imagines he is right in everything he says and does, and he ought to have perfect liberty to go anywhere or do anything. Some have attempted to paint him white, and in doing so have worked up the blackness from underneath, and presented to us a character which excites a feeling in our notions--a kind of go-between, akin to sympathy and disgust. Not a few have thrown round the Gipsy an enchanting, bewitching halo, which an inspection has proved nothing less than a delusion and a snare. Others have tried to improve this field of thistles and sour docks by throwing a handful of daisy seeds among them. It requires something more than a phantom life-boat to rescue the Gipsy and bring him to land. Scents and perfumes in a death-bed chamber only last for a short time. A bottle of rose-water thrown into a room where decomposition is at work upon a body will not restore life. Scattering flowers upon a cesspool of iniquity will not purify it. A fictitious rope composed of beautiful ideas is not the thing to save drowning Gipsy children. To put artificially-coloured feathers upon the head of a Gipsy child dressed in rags and shreds, with his body literally teeming with vermin and filth, will not make him presentable at court or a fit subject for a drawing-room. To dress the Satanic, demon-looking face of a Gipsy with the violet-powder of imagery only temporally hides from view the repulsive aspect of his features. The first storm of persecution brings him out again in his true colour. The forked light of imagination thrown across the heavens on a dark night is not the best to reveal the character of a Gipsy and set him upon the highways for usefulness and heaven. The dramatist has strutted the Gipsy across the stage in various characters in his endeavour to improve his condition. After the fine colours have been doffed, music finished, applause ceased, curtain dropped, and scene ended, he has been a black, swarthy, idle, thieving, lying, blackguard of a Gipsy still. Applause, fine colours, and d
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