g posture, at the foot of a cross. The elder sister
leans against the cross, and clasps the younger sister with one arm and
the brother with the other. This sister is made the personation of Love,
the younger of Faith, with one hand on an open book, and the boy of
Hope, bearing a pomegranate flower in his hand. Above them floats the
angel of the resurrection. The figures are of the size of life, and are
said happily to combine the classical antique in form with Christian
sentiment in expression. The whole is to be executed in marble, and
surrounded with a frame-work of Gothic architecture. The work was
awarded to Steinhauser as the result of a public competition, in which
Crawford was one of the participants.
* * * * *
ADOLF SCHROeDTER, one of the first painters of the Duesseldorf School, has
just produced a series of nine colored sketches by way of illustrations
to a poem of A. von Marens entitled "The Court of Wine." He represents
King Wine as leading a triumphal march enthroned on a wine-press,
wreathed with vine leaves and drawn with grape vines by jolly vintagers
of every age and sex. Behind follow as chamberlains a band of coopers, a
jester dancing on a cask, and a troop of gay youths full of all "quips
and cranks and youthful wiles." Then come, represented by most happily
conceived figures, the German rivers on whose shores are the
world-famous vineyards whose names make epicures smack their lips; then
the German impersonations of _Saus_ and _Braus_, or Joviality and Good
Living; after them a troop of cooks, and next a queer company of
dancers. We see a poet crowned with vine leaves, a tipsy-happy Capuchin
monk and a jester laughing at him. The series closes with a love-scene,
broken in upon by a watchman armed with a big spit hung with herrings,
beer-cans, sausages, and other furniture of a German restaurant. The
whole are treated with that affluence of national humor for which
Schroedter is unequalled.
* * * * *
MR. HILL, a retired clergyman residing near the Cattskill mountains,
where he has given his leisure to the study of photography, after
numerous experiments, has succeeded in obtaining colored pictures of
extraordinary beauty. Portraits and landscapes, by his process, are said
to be as fresh and vivid in color as those produced by the best _camera
obscura_. The subject is an interesting one, and will have an important
bearing upon the
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