be joined with such pathos as one finds in Lamb, Hood, Irving, or
Holmes." This passage stands in the 1892 edition of that work, though
'Tom Sawyer' had appeared in 1876, 'The Prince and the Pauper' in 1882,
'Life on the Mississippi' in 1883, 'Huckleberry Finn' in 1884, and 'A
Connecticut Yankee in King Arthur's Court' in 1889. Opinions analogous
to those expressed in the passage just cited have found frequent
expression among leaders of critical opinion in America; and only
yesterday 'The Jumping Frog' and 'The Innocents Abroad' were seriously
put forward, by a clever and popular American critic, as Mark Twain's
most enduring claims upon posterity! A bare half-dozen men in the ranks
of American literary criticism have recognized and eloquently spoken
forth in vindication of Mark Twain's title as a classic author, not
simply of American literature, but of the literature of the world.
It is, even now, perhaps not too early to attempt some sort of inquiry
into the causes contributory to Mark Twain's recognition as the prime
representative of contemporary American literature. One of the cheap
catchwords of Mark Twain criticism is the statement that he is "American
to the core," and that his popular appreciation in his own country was
due to the fact that he most completely embodied the national genius.
How many of those who confidently advance this vastly significant
statement, one curiously wonders, have seriously endeavoured to make
plain to others--or even to themselves--the reasons therefor? Perhaps
in seeking the causes for Mark Twain's renown in his own country one may
discover the causes for his world-wide fame.
A map of the United States, upon which were marked the localities and
regions made famous by the writings of Mark Twain, would show that,
geographically, he has known and studied this vast country in all the
grand divisions of its composition. Bred from old Southern stock, born
in the Southwest, he passed his youth upon the bosom of that great
natural division between East and West, the Mississippi River, which
cleaves in twain the very body of the nation. In the twenties he lost
the feeling of local attachment in the vast democracy of the West, and
looked life--a strangely barbaric and primitive life--straight in the
face. This is the first great transformation in his life--behold the
Westerner! After enriching his mind through contact with civilizations
so diverse as Europe and the Sandwich Isl
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