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be joined with such pathos as one finds in Lamb, Hood, Irving, or Holmes." This passage stands in the 1892 edition of that work, though 'Tom Sawyer' had appeared in 1876, 'The Prince and the Pauper' in 1882, 'Life on the Mississippi' in 1883, 'Huckleberry Finn' in 1884, and 'A Connecticut Yankee in King Arthur's Court' in 1889. Opinions analogous to those expressed in the passage just cited have found frequent expression among leaders of critical opinion in America; and only yesterday 'The Jumping Frog' and 'The Innocents Abroad' were seriously put forward, by a clever and popular American critic, as Mark Twain's most enduring claims upon posterity! A bare half-dozen men in the ranks of American literary criticism have recognized and eloquently spoken forth in vindication of Mark Twain's title as a classic author, not simply of American literature, but of the literature of the world. It is, even now, perhaps not too early to attempt some sort of inquiry into the causes contributory to Mark Twain's recognition as the prime representative of contemporary American literature. One of the cheap catchwords of Mark Twain criticism is the statement that he is "American to the core," and that his popular appreciation in his own country was due to the fact that he most completely embodied the national genius. How many of those who confidently advance this vastly significant statement, one curiously wonders, have seriously endeavoured to make plain to others--or even to themselves--the reasons therefor? Perhaps in seeking the causes for Mark Twain's renown in his own country one may discover the causes for his world-wide fame. A map of the United States, upon which were marked the localities and regions made famous by the writings of Mark Twain, would show that, geographically, he has known and studied this vast country in all the grand divisions of its composition. Bred from old Southern stock, born in the Southwest, he passed his youth upon the bosom of that great natural division between East and West, the Mississippi River, which cleaves in twain the very body of the nation. In the twenties he lost the feeling of local attachment in the vast democracy of the West, and looked life--a strangely barbaric and primitive life--straight in the face. This is the first great transformation in his life--behold the Westerner! After enriching his mind through contact with civilizations so diverse as Europe and the Sandwich Isl
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