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To have a model sitting with an open door was no more usual or befitting at that time than it is now. And that the strong smell of the Dutch tobacco should not come through that door, bordered on the miraculous. "When, however, I drew a step nearer, I soon saw why my good Jan had given up smoking, and though I was only a landscape painter, I did not at all wonder at him. For such a model was worth while losing one's head for, to say nothing of one's pipe. "The colours on the face of the young girl who sat there in the best light, as motionless as a picture, with a red damask curtain behind her, were really so brilliant, that they exceeded all probability, and made me perfectly stupid with amazement. Such a white satin-skin, just tinged with faintest rose-colour, and here and there with blue, such vividly red lips, such velvety brown eyes and silky hair of the same colour growing rather low on a superbly arched brow, I have never before nor since seen, except, indeed in pictures, where they make little impression because they are exaggerated. Nature can certainly venture upon much that Art can never safely aspire to. When I had somewhat got over the first shock of this sensational style of nature-painting, I saw that in the drawing, too, the very best possible had been done; done with a grandeur and solidity which were almost prodigal, for it is not wise to expend every resource, colour and form, both in perfection, on any one figure. Even a sculptor must have confessed that only in the best antiques had he seen anything of the kind. Above all I was amazed at the contour of the cheeks, the noble, massively-rounded chin, the half-opened lips that seemed to breathe out a very overflow of life, and the perfect shape of the straight, scornful little nose, which was just a trifle too broad, perhaps, for modern taste. It was only the eyes that afforded any room for fault-finding, if after seeing those calm and melancholy stars beaming on one, one had the heart for it. At least I found out later that the line of the eyelids might have been more curved, and they themselves a degree broader. "For the first ten minutes I stood there actually spell-bound, did not even say 'Good-day,' and was--as people often stupidly call it--all eyes. And indeed no one spoke. Van Kuylen, his extinct pipe in his mouth, had merely given me a side nod, and continued painting hard. The motionless beauty queened it before her red curtain on an ol
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