aven, Shu, standing on
seven steps, having lifted the sky from the earth in the form of a
triangle; and that at each point stood one of the gods, Sut and Shu at
the base, the apex being the Pole Star where Horus of the Horizon had
his throne. This is, in so far, true; but the pyramid emblem was older
than Osiris, Isis, and Horus, and runs back into an obscurity beyond
knowledge.

[8] _Religion and Thought in Egypt_, by Breasted, lecture ix.

[9] Ikhnaton, indeed, was a grand, solitary, shining figure, "the first
idealist in history," and a poetic thinker in whom the religion of
Egypt attained its highest reach. Dr. Breasted puts his lyrics
alongside the poems of Wordsworth and the great passage of Ruskin in
_Modern Painters_, as celebrating the divinity of Light (_Religion and
Thought in Egypt_, lecture ix). Despite the revenge of his enemies, he
stands out as a lonely, heroic, prophetic soul--"the first _individual_
in time."

THE WORKING TOOLS

/#
_It began to shape itself to my intellectual vision into something
more imposing and majestic, solemnly mysterious and grand. It
seemed to me like the Pyramids in their loneliness, in whose yet
undiscovered chambers may be hidden, for the enlightenment of
coming generations, the sacred books of the Egyptians, so long
lost to the world; like the Sphynx half buried in the desert._

_In its symbolism, which and its spirit of brotherhood are its
essence, Freemasonry is more ancient than any of the world's
living religions. It has the symbols and doctrines which, older
than himself, Zarathrustra inculcated; and it seemed to me a
spectacle sublime, yet pitiful--the ancient Faith of our ancestors
holding out to the world its symbols once so eloquent, and mutely
and in vain asking for an interpreter._

_And so I came at last to see that the true greatness and majesty
of Freemasonry consist in its proprietorship of these and its
other symbols; and that its symbolism is its soul._

--ALBERT PIKE, _Letter to Gould_
#/

CHAPTER II

_The Working Tools_

Never were truer words than those of Goethe in the last lines of
_Faust_, and they echo one of the oldest instincts of humanity: "All
things transitory but as symbols are sent." From the beginning man has
divined that the things open to his senses are more than mere facts,
having other and hidden meanings. The whole world was close to him as
an infinite parable, a mysti