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r pour her serene, unearthly radiance; while we, footsore, hungry, thirsty, and quite absurdly elated at our success, would press on towards some twinkle of light in the distance, which told us of refreshment, and possibly a welcome railroad journey home. It was only natural that, on those rambles which we took after Mr. Carville had begun his story and while he himself was rambling more extensively about the Western Ocean, my friend and I would discuss him and the highly stimulating outlook upon life which his original mind working in a novel medium had engendered. Indeed, it would not be too much to say that he monopolized our interest to the exclusion of Art. Or rather he, as a living and concrete example, became a kind of test, to which we brought a great deal we had thought and seen and read. To me he became significant of even more, for he contravened, in his own life and philosophy, so much that is generally taken for granted in fiction, that I grew doubtful both of him and the conventions he flouted. It had been obvious to me for some years that any advance in imaginative work seemed impossible inasmuch as the most advanced men had found nothing ahead but a stone wall, against which they advanced in vain. The theory that there was a hole in this wall somewhere, through which we could get into a freer air and less trammelled conditions, was attractive enough. We were all looking for this hole, but somehow it had eluded us. I, in my humble way, had groped and analyzed and plotted to find it, but without success, when suddenly it seemed to me I heard a voice from the other side, Mr. Carville's voice, telling us not only what the world looked like out there, but also how he got there. This is no doubt a fanciful picture; but one of Mr. Carville's salient points was the way he, the least fanciful of men, appealed to the fancy of others and painted pictures without the use of violent colours and futile superlatives. And the impersonal note which he maintained did really give to his story the effect of a voice coming over a wall. So I looked at the matter, and so I explained it on our long walks through Pompton and on to Greenwood Lake. But my friend, though he accepted much of my theorizing as interesting, was struck most powerfully by Mr. Carville's strange attitude towards his native land. It was all very well, Mac urged, to get through a hole in the wall and show the way to freedom from conventions in art, thoug
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