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the quivering back of Uncle Tom. One human being nailed to a cross reveals the concentrated woes of earth; and as we gaze upon the picture, into our hard hearts there comes creeping a desire to lessen the sorrows of the world by an increased love; and a gentleness and sympathy are ours such as we have never before known. Fortuny is king of the modern school of Spanish painters. His genius made an epoch, and worked a revolution in the art of his country--and, some have said, in the art of the time. As a nation it may be that Spain is crumbling into dust, but her rotting ruins will yet fertilize many a bank of violets. Certain it is that no modern art surpasses the art of Spain; and for once Italy must go to Spain for her pattern. ARY SCHEFFER The artistic tastes of the Princess, the lofty range of her understanding, her liberality, and the sterling benevolence of her mind all combined to engender a coldness and lack of sympathy between herself and the persons composing the Court. In the heart of the Princess dwelt a deep religious faith, such as becomes a noble, womanly heart. Nevertheless, her ardent mind sought to penetrate every mystery, so she was often accused of being a doubter--when the reverse was really true. --_Ary Scheffer to His Brother Arnola_ [Illustration: ARY SCHEFFER] The artistic evolution of Ary Scheffer was brought about mainly through the influence of three women. In the love of these women he was bathed, nourished and refreshed; their approbation gave direction to his efforts; for them he lived and worked; while a fourth woman, by her inability to comprehend the necessities of such a genius, clipped his wings, so that he fell to earth and his feet mired in the clay. The first factor in the evolution of Scheffer, in point of both time and importance, was his mother. She was the flint upon which he tried his steel: his teacher, adviser, critic, friend. She was a singularly strong and capable woman, seemingly slight and fragile, but with a deal of whipcord, sinewy strength in both her physical and mental fiber. No one can study the lives of eminent artists without being impressed with the fact that the artist is essentially the child of his mother. The sympathy demanded to hold a clear, mental conception--the imagination that sees the whole, even when the first straight line is made--is the gift of mother to son. She gives him of
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