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Cooke, whose light boat of song one soft breath saves, Sighed from a maiden's amorous mouth averse: Live likewise ye: Time takes not you for slaves. XX THE MANY II Haughton, whose mirth gave woman all her will: Field, bright and loud with laughing flower and bird And keen alternate notes of laud and gird: Barnes, darkening once with Borgia's deeds the quill Which tuned the passion of Parthenophil: Blithe burly Porter, broad and bold of word: Wilkins, a voice with strenuous pity stirred: Turk Mason: Brewer, whose tongue drops honey still: Rough Rowley, handling song with Esau's hand: Light Nabbes: lean Sharpham, rank and raw by turns, But fragrant with a forethought once of Burns: Soft Davenport, sad-robed, but blithe and bland: Brome, gipsy-led across the woodland ferns: Praise be with all, and place among our band. XXI EPILOGUE Our mother, which wast twice, as history saith, Found first among the nations: once, when she Who bore thine ensign saw the God in thee Smite Spain, and bring forth Shakespeare: once, when death Shrank, and Rome's bloodhounds cowered, at Milton's breath: More than thy place, then first among the free More than that sovereign lordship of the sea Bequeathed to Cromwell from Elizabeth, More than thy fiery guiding-star, which Drake Hailed, and the deep saw lit again for Blake, More than all deeds wrought of thy strong right hand, This praise keeps most thy fame's memorial strong That thou wast head of all these streams of song, And time bows down to thee as Shakespeare's land. End of the Project Gutenberg EBook of Sonnets, and Sonnets on English Dramatic Poets (1590-1650), by Algernon Charles Swinburne *** END OF THIS PROJECT GUTENBERG EBOOK SONNETS *** ***** This file should be named 17347.txt or 17347.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/3/4/17347/ Produced by Paul Murray, Annika Feilbach and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Ter
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