was therefore, in
turn, carried across the water--and on being confronted with his
name-sake, at the Royal Library ... it was quite evident, at the first
glance, as M. Du Chesne admitted--that they were impressions taken
from _different blocks_. The question therefore, was, after a good
deal of pertinacious argument on both sides--which of the two
impressions was the MORE ANCIENT? Undoubtedly it was that of Lord[B]
Spencer's.

[B] [The reasons, upon which this conclusion was founded, are
stated at length in the preceding edition of this work: since
which, I very strongly incline to the supposition that the Paris
impression is a _proof_--of one of the _cheats_ of DE MURR.]

[28] He died in 1824 and a notice of his Life and Labours appeared in the
_Annales Encyclopediques_.

[29] "M. Dibdin may well make the _fourth_ copy--as to size."
CRAPELET, p. 115.

_LETTER III._

THE SAME SUBJECTS CONTINUED.

_Paris, June 14, 1818_.

As I promised, at the conclusion of my last, you shall accompany me
immediately to the ROYAL LIBRARY; and taking down a few of the more ancient
MANUSCRIPTS relating to _Theology_--especially those, which, from age, art,
or intrinsic worth, demand a more particular examination--we will both sit
down together to the enjoyment of what the librarians have placed before
us. In other words, I shall proceed to fill up the outline (executed with a
hurrying pencil) which was submitted to you in my previous letter. First,
therefore, for

BIBLES, LITURGIES, RITUALS, LEGENDS, MORAL TREATISES, &C.

_Quatuor Evangelia. "Codex Membranaceus, Olim Abbatiae S. Medardi
Suessionensis in uncialibus litteris et auricis scriptus. Saec. VI."_ The
preceding is written in an old hand, inserted in the book. It is a folio
volume of unquestionably great antiquity; but I should apprehend that it is
_antedated_ by at least _two_ centuries. It is full of embellishment, of a
varied and splendid character. The title to each Gospel is in very large
capital letters of gold, upon a purple ground: both the initial letter and
the border round the page being elaborately ornamented. The letter prefixed
to St. Matthew's Gospel is highly adorned, and in very good taste. Each
page consists of two columns, in capital letters of gold, throughout:
within borders of a quiet purple, or lilac tint, edged with gold. It has
been said that no two borders are alike altog