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The Project Gutenberg EBook of The Prose Works of Jonathan Swift, D. D., Volume IX; Contributions to The Tatler, The Examiner, The Spectator, and The Intelligencer, by Jonathan Swift This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Prose Works of Jonathan Swift, D. D., Volume IX; Contributions to The Tatler, The Examiner, The Spectator, and The Intelligencer Author: Jonathan Swift Release Date: August 13, 2004 [EBook #13169] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SWIFT PROSE, VOL. IX *** Produced by G. Graustein and PG Distributed Proofreaders. Produced from images provided by the Million Book Project. THE PROSE WORKS OF JONATHAN SWIFT VOL. IX GEORGE BELL & SONS LONDON: YORK STREET, COVENT GARDEN CAMBRIDGE: DEIGHTON, BELL & CO. NEW YORK: THE MACMILLAN CO. [Illustration: _Jonathan Swift from the picture by Charles Jervas in the Bodlean Library Oxford_] THE PROSE WORKS OF JONATHAN SWIFT, D.D. EDITED BY TEMPLE SCOTT VOL IX CONTRIBUTIONS TO "THE TATLER," "THE EXAMINER," "THE SPECTATOR," AND "THE INTELLIGENCER" LONDON GEORGE BELL AND SONS 1902 CHISWICK PRESS: CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON. INTRODUCTION Swift has been styled the Prince of Journalists. Like most titles whose aim is to express in modern words the character and achievements of a man of a past age, this phrase is not of the happiest. Applied to so extraordinary a man as Jonathan Swift, it is both misleading and inadequate. At best it embodies but a half-truth. It belongs to that class of phrases which, in emphasizing a particular side of the character, sacrifices truth to a superficial cleverness, and so does injustice to the character as a whole. The vogue such phrases obtain is thus the measure of the misunderstanding that is current; so that it often becomes necessary to receive them with caution and to test them with care. A prince in his art Swift certainly was, but his art was not the art of the journalist. Swift was a master of literary expression, and of all forms of that expression which aim at embodying in language the common life and common facts of men and their common nat
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